It's a procedure where the the Signal gets reduced by the exact Amplitude Value of the Sidechain Signal. This provides that the sum of both signals will never exceed the maximum Amplitude and won't start clipping. It's typically used in addition to Sidechain Compression/ Volume Shaping to gain some more headroom in the mix. If you want a deep dive on how this works I recommend the tutorials of Borrasca, scarlvtt or Virtual Riot.
The Key Control Bundle contains a series of Max for Live Devices designed to set parameters of various Plugins to exact MIDI note values. The Bundle covers:
Roar Auto Filter (Live 12.2 and older versions) Drum Buss Erosion kHs Plugins: Filter, Nonlinear Filter, Comb Filter, Ladder Filter, Ring Mod and Resonator
Just place the Key Control device of your choice right in front of one of theses plugins and it automatically pairs with the desired parameter.
Every Plugin has following Features: -Adjustable Pitchbe...
Arp Interpol clips the range of your Arpeggiator Device to the corresponding time of set beat divisions and lets you interpolate smoothly in between. Use it for Drum Rolls or Synth stabs in the Style of Flume and Odesza.
Just place the device directly in front of Arpeggiator to remotely control its Time Parameters
The Snap Parameter lets the Time Mode "snap" to sync Mode when you reached 0% or 100%
The Clip Indicator starts lighting up if the Speed of the set beat devision is out range of the free running Mode of Arpeg...
Designed to extend the capabilities of the Kilohearts Essentials Pack. kHs Key Control allows you to set the frequency parameter of various Plugins to exact MIDI note values. It works with:
Just place kHs Key Control right in front of one of theses plugins and it automatically pairs with the frequency parameter. (If you use VST3 Format make sure to Enable the VST3-Button at the Device)
Dispersion is a Rebuild of a well known plugin by KiloHearts, called Disperser. Its basically an array of multiple allpass filters in serial, delaying the frequency content of your audio signal and messing with its phase for those lasery sounds.
Every Donation is very much appreciated, so I can keep on providing my devices for free.
Just place this Device right in front of Ableton's Vocoder to control it´s noise parameters (XY Field) remotely and via MIDI Mapping. Turning the Device off disables the RemoteControl feature at the Vocoder. Turn it back on to enable it again.
Just drag an instance of AutoFilter Key Control right before your Auto Filter, route the MIDI Input and it sets the the Cutoff Frequency to the corresponding Frequency of the played MIDI Note.
-Adjustable Base Frequency -Adjustable Pitchbend Range -Transpose Functionality -Smoothing of the Frequency Changes
Every Donation is very much appreciated, so I can keep on providing my devices for free.
a Max4Live Device to automate the Monitor Settings, the SplitStereo functionality, the Solo- & Arm-State of your Track during your LivePerformance, or fold Groups you via Automation
